Autobiography and History in the Slave Narratives: The Case of Frederick Douglass’s The Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself

Resumen

This article probes into the intricate interplay between autobiography and history within Frederick Douglass’s narrative, offering an in-depth exploration of how his personal experiences intersect with and sheds light on the broader sociopolitical landscape of Antebellum America. Through the use of a new historicist framework as inspired by Stephen Greenblatt’s critical approach and integrating Philippe Lejeune’s seminal concept of the “autobiographical pact,” this study foregrounds Douglass’s deliberate and strategic use of autobiography as a dual-purpose instrument, both for authentic self-expression and incisive social critique. The analysis pays particular attention to the challenges inherent in establishing a harmonious autobiographical pact between a Black writer and a predominantly white readership, especially regarding contentious issues of race, identity, and pervasive injustice. This article critically examines how Douglass grapples with the tensions between the subjective arena of personal memory and the objective realm of historical reality, demonstrating how his narrative actively shapes and is being shaped by the prevailing historical forces and power structures of his era. Through close textual analysis combined with rigorous historical contextualization, the study investigates the complex dynamics between individual agency and institutional oppression, highlighting Douglass’s narrative as a profound site where personal testimony confronts and resists established racism. Ultimately, this article sheds light on the enduring relevance and transformative power of Douglass’s storytelling, underscoring how his life story serves not only as a testament to personal resilience but also as a powerful act of historical witness and social resistance against the prevalent injustices of his time.