The Humorous Discourse and the Effect of the Comical in Un Homme, ça ne Pleure pas by Faïza Guène.

Abstract

This article explores the role and function of humor in the literary work of Faïza Guène, focusing in particular on its complexity within the broader context of contemporary French-speaking literature. It delves into the linguistic and discursive mechanisms that generate humor, drawing on the theoretical frameworks of J. M. Moura and P. Charaudeau. These perspectives help to illuminate the fine and often ambiguous boundary between humor and seriousness, particularly in narratives that tackle sensitive social and cultural issues. The analysis centers on the character Mourad in one of Guène’s novels, who employs humor as both a survival strategy and a form of resistance. Through exaggerated language, irony, and sarcasm, Mourad navigates the challenges of his everyday life, including strained family dynamics, limitations on personal freedom, and societal expectations. His commentary on the lives of his sisters, Dounia and Mina—each of whom follows a distinct and meaningful path—reveals his internal conflicts and social frustrations, particularly regarding Dounia’s coerced conversion to Christianity. This situation becomes a point of departure for critiquing broader debates on religious identity and freedom in contemporary France. The article treats humor not merely as comic relief, but as a triadic interaction among the speaker, the audience, and the context. It shows how humor draws on shared expressions and cultural references, often blurring the boundaries between literary genres. Ultimately, Guène’s use of humor functions as both a critical mirror of society and a powerful narrative device for exploring identity, tradition, and resistance within marginalized communities.