The Female Psyche, Figure of Oneself in the Sebbarian Character

Abstract

The conception of the character in literature requires two decisive fundamental foundations of the character's evolutionary future, particularly that constructed according to the Sebbarian imaginary: the first aesthetic and the second pragmatic. These foundations are a fortiori governed by the existing balance of power between man and woman, but also by the collective imagination that allocates certain actions to the detriment of others. The edifice of this being of paper thus announces itself as a place of ideological and identity investment: a transitional space. He is sometimes a character endowed with all the necessary components for the plot but is realized only through language, sometimes a character stripped of the slightest indexical gratification of identification but is realized as much through actions as through language. This also dichotomous fabrication reflects the internal social reality of its author and translates the unconscious of the text.